{"id":227,"date":"2011-12-27T10:40:55","date_gmt":"2011-12-27T18:40:55","guid":{"rendered":"http:\/\/blog.colinmarshall.org\/?p=227"},"modified":"2011-12-27T10:40:55","modified_gmt":"2011-12-27T18:40:55","slug":"how-the-iphone-got-me","status":"publish","type":"post","link":"http:\/\/blog.colinmarshall.org\/?p=227","title":{"rendered":"How the iPhone got me"},"content":{"rendered":"<p>So what pushed me to finally get an iPhone, even though I lack so much as a multi-digit income?<\/p>\n<ul>\n<li>I nearly slapped down the howevermany hundred dollars a first-generation iPhone cost when Brian Eno and Peter Chilvers&#8217; <strong><a href=\"http:\/\/www.generativemusic.com\/\"><em>Bloom<\/em><\/a><\/strong> hit the App Store. Having read Eno&#8217;s <a href=\"http:\/\/colinmarshall.typepad.com\/blog\/2008\/05\/a-year-with-swo.html\"><em>A Year with Swollen Appendices<\/em><\/a> at least three times by that point, I&#8217;d grown familiar indeed with his enthusiasm for algorithms and devices that use randomness to create ever-changing music in real time. But he wrote the diaries that book comprises in 1995, and as such bemoans in them the limits the era&#8217;s hardware and software imposed on such &#8220;generative music&#8221; systems. Fewer such problems on the iPhone, which can handle the numerical processing and sonic synthesizing even as it takes its input \u2014 the &#8220;seed&#8221; of the music \u2014 from the patterns you tap into its touchscreen.<a> This video<\/a> gives you an idea of how the thing actually sounds. Eno and Chilvers released a follow-up, <em>Trope<\/em>, which expands on the <em>Bloom <\/em>idea by converting into music the motions of your finger across the screen, rather than just using individual points of tapping.<\/li>\n<\/ul>\n<ul>\n<li>The second dimension of irresistibility came in the iPhone&#8217;s <strong>mapping capabilities<\/strong>. Maps, as a form, keep drawing me back with their distinctive balance between the qualitative and the quantitative. (<a href=\"http:\/\/www.edwardtufte.com\/tufte\/\">Edward Tufte<\/a>&#8216;s books on information design keep drawing me back for similar reasons, to the point that I did pay the howevermany hundreds of dollars for his experimental two-day course in Palo Alto.) So how was I going to resist the ability to scroll around scalable maps, overlayable with all sorts of data, of almost any corner of the Earth? That the iPhone offers the user GPS-based navigation of these maps didn&#8217;t matter so much in a town as small as Santa Barbara, but now that I navigate a new slice of Los Angeles almost every day, the iPhone&#8217;s onboard mapping software or any of hundreds of related apps add a great deal of value. I foresee this coming in very handy in the next foreign metropolis I explore, though I realize I&#8217;ll have to perform some sort of h@x0ring beforehand.<\/li>\n<\/ul>\n<ul>\n<li>As with any still-toddling technology, the first popular uses of the <a href=\"http:\/\/www.theonion.com\/articles\/longlost-jules-verne-short-story-the-cameraphone-f,1735\/\">camera-phone<\/a> \u2014 enthusiastic diners photographing their restaurant meals, Asian girls taking topless shots of themselves in bathroom mirrors \u2014 struck me as rather less impressive than I&#8217;d hoped. But at some point, the convenience the iPhone <strong>camera<\/strong> offers in <a href=\"http:\/\/blog.colinmarshall.org\/?p=200\">documenting one&#8217;s peregrinations<\/a> seemed too attractive to pass up. How else, I ask you, could I snap something like this on the go:<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-201\" title=\"IMG_0019[1]\" src=\"http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/blog.colinmarshall.org\/2011\/12\/IMG_00191-1024x768.jpg\" alt=\"\" width=\"550\" height=\"411\" \/><\/p>\n<ul>\n<li>But finally, my friends, the <strong>field recording<\/strong> did it. I had my doubts about how rich a sonic environment a microphone as small as the iPhone&#8217;s could really capture, but when sound artist (and <a href=\"http:\/\/colinmarshall.libsyn.com\/webpage\/sound-food-performance-japan-and-the-world-city-multi-disciplinary-artist-alan-nakagawa\"><em>Marketplace of Ideas<\/em> guest<\/a>) Alan Nakagawa played me some of the <a href=\"http:\/\/soundcloud.com\/alannakagawa\">recordings he&#8217;d picked up with it<\/a>, I knew immediately what I had to do. I don&#8217;t know if I&#8217;ll make the next <a href=\"http:\/\/colinmarshall.typepad.com\/blog\/2010\/01\/album-one.html\"><em>New Zealand Stories<\/em><\/a> with it or anything, but I&#8217;m sure it&#8217;ll earn its keep when I record impromptu interviews or <a href=\"http:\/\/imomus.com\/momusradio.html\">travel podcasts<\/a> like (<a href=\"http:\/\/colinmarshall.libsyn.com\/webpage\/musician_artist_journalist_and_ex_blogger_nick_currie_a_k_a_momus\">two<\/a>&#8211;<a href=\"http:\/\/colinmarshall.libsyn.com\/webpage\/to-japan-by-cow-nick-momus-currie-musician-writer-and-artist\">time<\/a> <em>Marketplace of Ideas <\/em>guest) Momus used to do.<\/li>\n<\/ul>\n<p>Oh, and now that the iPhone 4S has all the kids talking, AT&amp;T will cough up a 3GS for nothing more than your signature on a two-year contract and the cost of tax. I suppose I should mention the formidable aesthetic sense with which the iPhone is both imbued and associated, aesthetics being pretty much the only thing I ultimately care about, but you&#8217;ve probably heard enough on that subject already. Despite all the grand claims about the myriad technological advantages of, say, Android phones, Android fans tend to dress like they&#8217;ve just stepped out to get the paper.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So what pushed me to finally get an iPhone, even though I lack so much as a multi-digit income? I nearly slapped down the howevermany hundred dollars a first-generation iPhone cost when Brian Eno and Peter Chilvers&#8217; Bloom hit the App Store. Having read Eno&#8217;s A Year with Swollen Appendices at least three times by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-227","post","type-post","status-publish","format-standard","hentry","category-accoutrements"],"_links":{"self":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=227"}],"version-history":[{"count":2,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/227\/revisions"}],"predecessor-version":[{"id":230,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/227\/revisions\/230"}],"wp:attachment":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}