{"id":2509,"date":"2014-11-22T17:23:54","date_gmt":"2014-11-23T01:23:54","guid":{"rendered":"http:\/\/blog.colinmarshall.org\/?p=2509"},"modified":"2015-04-06T09:22:13","modified_gmt":"2015-04-06T16:22:13","slug":"notebook-on-cities-and-cultures-korea-tour-de-terriblization-with-mark-russell","status":"publish","type":"post","link":"http:\/\/blog.colinmarshall.org\/?p=2509","title":{"rendered":"Notebook on Cities and Culture&#8217;s Korea Tour: De-Terriblization with Mark Russell"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-2510\" style=\"border: 0;\" src=\"http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2014\/11\/markrussell.jpg\" alt=\"markrussell\" width=\"300\" height=\"300\" srcset=\"http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2014\/11\/markrussell.jpg 300w, http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2014\/11\/markrussell-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Notebook on Cities and Culture<em>&#8216;s Korea Tour is brought to you by Daniel Murphy, David Hayes, and <\/em><a href=\"http:\/\/www.polarinertia.com\/\">The Polar Intertia Journal<\/a><em>, an outlet for artists and researchers documenting the urban condition.<\/em><\/p>\n<p>In\u00a0Seoul&#8217;s Hongdae district, Colin Marshall talks with <a href=\"http:\/\/www.markjamesrussell.com\">Mark Russell<\/a>, author of the books\u00a0<a href=\"http:\/\/www.amazon.com\/Pop-Goes-Korea-Revolution-Internet\/dp\/1933330686\/\"><em>Pop Goes Korea<\/em><\/a>,\u00a0<a href=\"http:\/\/www.amazon.com\/K-POP-Now-Korean-Music-Revolution\/dp\/4805313005\"><em>K-Pop Now!<\/em><\/a>, and the coming\u00a0novel\u00a0<a href=\"http:\/\/www.amazon.com\/Young-hee-Pullocho-Mark-James-Russell\/dp\/0804844976\"><em>Young-hee and the Pullocho<\/em><\/a>. They discuss what unites Korean pop culture other than having made by Korean people; the tendency toward mixture that characterizes so much of the country\u00a0culture; his early experience with Korean culture practicing tae kwon do in high school; where the &#8220;if this doesn&#8217;t work, I can go teach English in Korea&#8221; took him, how he envisioned that prospect, and how he found himself on a plane to Korea the same week he brought up the idea; the &#8220;completely different&#8221; Seoul of today from the &#8220;bare&#8221; one he found in the nineties, where Pringles could excite him; what in Korea doesn&#8217;t change, amid all the change that has gone on; the European look backward, and the Korean look forward; how Korea makes the impossible possible, but sometimes takes the possible and screws it up; the bygone days when every foreigner was assumed to be an American; whether K-pop saturates Korea more than American pop saturates American; what, exactly, makes pop music uncool; the consequences of the fact that &#8220;most people don&#8217;t live at the PhD level; what makes Korean blockbusters more interesting than American ones, including not having quite cracked the &#8220;scientific blockbuster code&#8221;; the Korean popular culture his first discovered; what happens when you go drinking with a favorite director; what happens when you look too closely into the &#8220;sausage factory&#8221; of art production; the pop golden age people remember from three years ago; when he realized his own life in Korea had taken shape; his plunge into the Seoul alternative music scene; when Busan, not Seoul, had the best music in Korea; the role Hongdae has played in Korean music, having become the Korean music scene itself; why groups have trouble touring the country; Korea&#8217;s lack of unconventional &#8220;slots&#8221; in which to live, especially outside Seoul; when he began writing fiction, and how he wrote a novel set in Korea while in Spain; the all-important &#8220;de-terriblization&#8221; process in art; how much insight traditional Korean folktales give him into the culture today; the foreigner&#8217;s freedom to &#8220;get things wrong in your own way&#8221;; his years in Spain, and the difference drinking wine there versus drinking wine in Korea; what he began to miss about Seoul while away; his impressions of the Spanish economic crisis; his sense of Korea getting better and better, economically as well as culturally, despite the fact that he &#8220;wants to be as cynical as everyone else.&#8221;<\/p>\n<p><span style=\"color: #000000;\">Download the interview\u00a0<\/span><a href=\"http:\/\/traffic.libsyn.com\/colinmarshall\/NCC_Korea_Tour_Mark_Russell.output.mp3\">here as an MP3<\/a><span style=\"color: #000000;\">\u00a0or on\u00a0<\/span><a style=\"color: #555555;\" href=\"http:\/\/itunes.apple.com\/us\/podcast\/notebook-on-cities-culture\/id266539442\">iTunes<\/a><span style=\"color: #000000;\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Notebook on Cities and Culture&#8216;s Korea Tour is brought to you by Daniel Murphy, David Hayes, and The Polar Intertia Journal, an outlet for artists and researchers documenting the urban condition. In\u00a0Seoul&#8217;s Hongdae district, Colin Marshall talks with Mark Russell, author of the books\u00a0Pop Goes Korea,\u00a0K-Pop Now!, and the coming\u00a0novel\u00a0Young-hee and the Pullocho. They discuss [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,33,41],"tags":[],"class_list":["post-2509","post","type-post","status-publish","format-standard","hentry","category-korea","category-notebook-on-cities-and-culture","category-seoul"],"_links":{"self":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/2509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2509"}],"version-history":[{"count":6,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/2509\/revisions"}],"predecessor-version":[{"id":2895,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/2509\/revisions\/2895"}],"wp:attachment":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2509"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}