{"id":3626,"date":"2016-09-06T23:35:25","date_gmt":"2016-09-07T06:35:25","guid":{"rendered":"http:\/\/blog.colinmarshall.org\/?p=3626"},"modified":"2016-09-06T23:35:25","modified_gmt":"2016-09-07T06:35:25","slug":"korea-blog-nam-june-paik-and-the-society-of-screens","status":"publish","type":"post","link":"http:\/\/blog.colinmarshall.org\/?p=3626","title":{"rendered":"Korea Blog: Nam June Paik and the Society of Screens"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3627\" src=\"http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2016\/09\/KB-Nam-June-Paik-Show-1.jpg\" alt=\"KB - Nam June Paik Show 1\" width=\"600\" height=\"372\" srcset=\"http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2016\/09\/KB-Nam-June-Paik-Show-1.jpg 600w, http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2016\/09\/KB-Nam-June-Paik-Show-1-300x186.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<blockquote><p>Video monitors started appearing on Seoul\u2019s subway trains long before I arrived here. More video monitors \u2014 or, to be precise, old televisions \u2014 started appearing on those video monitors a few months ago, announcing a big show of the work of video artist Nam June Paik. (Paik made his name in the West, literally, with not just unconventional Romanization but a Western-style re-ordering that put his given name first and family name second.) The straightforwardly titled <a href=\"http:\/\/www.paiknamjuneshow.com\/\"><em>Paik Nam June Show<\/em><\/a> (\ubc31\ub0a8\uc900 \uc1fc), which runs through October at Seoul\u2019s Dongdaemun Design Plaza, commemorates the tenth anniversary of the death of the most creative old-television enthusiast ever to live, as well as, for a time, the most famous Korean artist \u2014 and quite possibly the most famous Korean \u2014 in the world.<\/p>\n<p>\u201cI start in 1960, first time television sets become cheap, become secondhand, like junk,\u201d said Paik in <a href=\"http:\/\/www.newyorker.com\/magazine\/1975\/05\/05\/video-visionary\">a 1975 profile by <em>New Yorker<\/em> art critic Calvin Tomkins<\/a>. \u201cI buy thirteen secondhand sets in 1962. I didn\u2019t have any preconceived idea. Nobody had put two frequencies into one place, so I just do that, horizontal and vertical, and this absolutely new thing comes out.\u201d He refers to his discovery that manipulating the electronics television sets use \u2014 or then used, anyway \u2014 to produce an image could produce, in an unpredictable fashion, another, stranger image.<\/p>\n<p>This led to his creation, with Japanese engineer Shyua Abe, of the more controllable Abe-Paik Video Synthesizer, and ultimately to his status as the father of video art, builder of television robots, television cellos, television-watching Buddhas, and television maps and flags of the United States of America. While other artists began to use video around the same time he did, when the gear came down in size, down in price, and out of the studio, none displayed quite the same intensely zealous interest of the early adopter.<\/p><\/blockquote>\n<p>Read the whole thing <a href=\"http:\/\/blog.lareviewofbooks.org\/the-korea-blog\/society-screens-korea-world-envisioned-nam-june-paik\/\">at the Los Angeles Review of Books<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video monitors started appearing on Seoul\u2019s subway trains long before I arrived here. More video monitors \u2014 or, to be precise, old televisions \u2014 started appearing on those video monitors a few months ago, announcing a big show of the work of video artist Nam June Paik. (Paik made his name in the West, literally, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[],"class_list":["post-3626","post","type-post","status-publish","format-standard","hentry","category-korea-blog"],"_links":{"self":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/3626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3626"}],"version-history":[{"count":1,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/3626\/revisions"}],"predecessor-version":[{"id":3628,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/3626\/revisions\/3628"}],"wp:attachment":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3626"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}