{"id":5722,"date":"2022-08-21T23:46:21","date_gmt":"2022-08-22T06:46:21","guid":{"rendered":"http:\/\/blog.colinmarshall.org\/?p=5722"},"modified":"2022-08-21T23:47:08","modified_gmt":"2022-08-22T06:47:08","slug":"books-on-cities-mike-davis-city-of-quartz","status":"publish","type":"post","link":"http:\/\/blog.colinmarshall.org\/?p=5722","title":{"rendered":"Books on Cities: Mike Davis, City of Quartz"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><center><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.colinmarshall.org\/wp-content\/uploads\/2022\/08\/Mike-Davis-City-of-Quartz-small.jpeg\" alt=\"\" class=\"wp-image-5723\" width=\"375\" height=\"600\"\/><\/center><\/figure>\n<\/div>\n\n\n<p>Over the years, I&#8217;ve occasionally referred to Mike Davis&#8217; <em>City of Quartz<\/em> as a paranoid classic of Los Angeles nonfiction. Editors usually cut out the word &#8220;paranoid,&#8221; and I never fight it when they do. But to my mind that descriptor does no serious injustice to the work, which in any case remains acknowledged as the closest-to-definitive single book yet written about Los Angeles. It&#8217;s held that spot if not since it came out in 1990, then at least since the city&#8217;s riots of thirty years ago. Davis acknowledges this in the preface to the 2006 edition: &#8220;The fate of <em>City of Quartz<\/em> was largely determined by events that followed its publication: the explosive notoriety of L.A.-based gangster rap, the Rodney King atrocity, and, finally, the apocalyptic uprising that followed the acquittal of his assailants.&#8221;<\/p>\n\n\n\n<p>Davis&#8217; use of the word &#8220;uprising&#8221; is characteristic. In the main text, he also applies it at least once to the August 1965 outbreak of violence and destruction \u2014 framed in retrospect as a preview of the larger conflagration to come 27 years later \u2014 that he more often calls the &#8220;Watts Rebellion.&#8221; On my latest reading of <em>City of Quartz<\/em>, this brought to mind the most memorable of several tours I took of Watts Towers, by far the neighborhood&#8217;s best-known landmark, while living in Los Angeles myself. A baseball-capped middle-aged attendee stammered his way into a question, working the words &#8220;Watts Uprising&#8221; into nearly every clause. Our guide, a native of Watts with childhood memories of reading Spider-Man comics amid the then-unfenced Towers, cut him off: &#8220;Hold on. I was there. That was a riot.&#8221;<\/p>\n\n\n\n<p>I&#8217;d be lying if I said <em>City of Quartz<\/em> couldn\u2019t use a few similarly peremptory interjections from that tour guide at Watts Towers. Yet Davis is also a straight talker, in his way, despite the book&#8217;s the preponderance of cumbersome political language seemingly picked up from the <em>New Left Review. <\/em>He called that publication (which he edited for a time) &#8220;an early influence on my writing&#8221; in <a href=\"https:\/\/www.latimes.com\/lifestyle\/image\/story\/2022-07-25\/mike-davis-reflects-on-life-activism-climate-change-bernie-sanders-aoc-los-angeles-politics\">an interview last month with the <\/a><em><a href=\"https:\/\/www.latimes.com\/lifestyle\/image\/story\/2022-07-25\/mike-davis-reflects-on-life-activism-climate-change-bernie-sanders-aoc-los-angeles-politics\">Los Angeles Times<\/a><\/em>, &#8220;and in some ways a bad one.&#8221; This reflection is part of a squaring-up with mortality: he describes himself as in &#8220;the terminal stage of metastatic esophageal cancer,&#8221; a disease for which he recently chose to stop receiving treatment. That announcement has surely motivated more than a few students of Los Angeles to revisit Davis&#8217; best-known book while he&#8217;s with us.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/colinmarshall.substack.com\/p\/mike-davis-city-of-quartz-excavating\">Read the whole thing at Substack.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over the years, I&#8217;ve occasionally referred to Mike Davis&#8217; City of Quartz as a paranoid classic of Los Angeles nonfiction. Editors usually cut out the word &#8220;paranoid,&#8221; and I never fight it when they do. But to my mind that descriptor does no serious injustice to the work, which in any case remains acknowledged as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,101,9],"tags":[],"class_list":["post-5722","post","type-post","status-publish","format-standard","hentry","category-books","category-books-on-cities","category-los-angeles"],"_links":{"self":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/5722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5722"}],"version-history":[{"count":1,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/5722\/revisions"}],"predecessor-version":[{"id":5724,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=\/wp\/v2\/posts\/5722\/revisions\/5724"}],"wp:attachment":[{"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5722"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.colinmarshall.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}