Colin Marshall sits down in Studio City with Mark Frauenfelder, founder of the popular zine-turned-blog Boing Boing, founding co-editor of Make magazine, and author of Maker Dad: Lunch Box Guitars, Antigravity Jars, and 22 Other Incredibly Cool Father-Daughter DIY Projects. They discuss whether he still thinks about Los Angeles dingbat apartments, and the extent to which their owners have customized them today; all barriers falling for the modern maker except for the one asking who’s interested; how his daughters’ fascination with card tricks preceded their interest in making things; what kind of project kids can complete under their own steam; Los Angeles as a place for makers, the current state of its maker spaces, and the making heritage offered by its historical hot-rod culture as described in Tom Wolfe’s The Kandy-Kolored Tangerine-Flake Streamline Baby; his history with this city, which goes back to 1987, albeit one interrupted by periods in Japan, on a South Pacific island, and elsewhere; the semi-agricultural life- and making style Los Angeles affords him; how growing your own food allows you to think more clearly about food, and making your own media allows you to think more clearly about media; how his grasp of media improved as he engaged in every stage of the D.I.Y. publishing revolution; learning through mistakes, as opposed to school’s pressure not to make mistakes in the first place; the debilitating world of the “smart kid”; the “freedom to be foolish” offered in Los Angeles; the dueling temptations of broadminded generalism and singleminded obsession; his role in the cyberpunk culture of the 80s and 90s, and to what extent we live in the utopian and/or dystopian future it envisioned today; his hope for an increasingly tech-focused San Francisco to continue exporting progressive ideas; the rise of meta-making, and the promise of large-scale decentralized making of solving some of “the world’s problems”; how he deals with the firehose of amazing stuff to feature on Boing Boing and in Make; and what his daughters have taught him about making while he’s taught them about making.
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