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Korea Blog: Three Young-Ish Korean Novelists on the Plight of the Young-Ish in Korea

Back in December, I wrote up a Seoul Book and Culture Club event featuring four Korean writers as a spectator. This past weekend, I experienced another as a participant, and specifically as the interviewer who talked with another group of Korean writers about their stories, all recently put out by ASIA Publishers in compact dual-language editions. I highly recommend these books (and all their predecessors in ASIA’s “K-Fiction” series) as learning tools to anyone studying the Korea language at an intermediate or advanced level. I also highly recommend, should the opportunity arise after reading the books, getting up on stage and talking to their authors about them.

This time we had three writers: Chang Kangmyoung, author of Fired (알바생 자르기); Kim Min-jung, author of The World’s Most Expensive Novel (세상에서 가장 비싼 소설); and Kim Ae-ran, author of Where Would You Like to Go? (어디로 가고 싶으신가요). All three stories, so it seemed to me after reading them and considering them together, have to do with the condition of “young-ish” Koreans, those in their mid-twenties to mid-thirties who, while hardly kids, have for a variety of economic, societal, or personal reasons not quite made it to what the generation before them would have considered a full-fledged adult life. This sort of thing as provided fodder even in America for trend piece after hand-wringing trend piece, but the society of South Korea, a country that more recently came to the end of a much more dramatic period of growth, has felt it with special acuteness.

Chang Kangmyoung deals with this this most directly in Fired, which comes with its own nonfictional appendix explaining how the South Korean economy has changed with each generation. Hye-mi, a part-time front-desk worker at a mid-sized Korean company who turns up late, takes long lunches, spends hours on the internet clicking around travel and music sites, and never makes it to after-work company dinners. But rather than telling it from Hye-mi’s point of view, Chang makes a protagonist of Hye-mi’s supervisor, who at first feels sorry for her young-ish underling but then, when the aggravations built up, decides to get rid of her, running into a host of unexpected difficulties in the process.

Read the whole thing at the Los Angeles Review of Books.