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Category Archives: Korea Blog

Korea Blog: Sang Young Park’s Novel of Gay Almost-Romance Love in the Big City

In recent years the internet has launched into the zeitgeist the term “incel,” referring to individuals filled with resentment about their state of involuntary celibacy — i.e., sexlessness. In nearly all cases the incel is a heterosexual male, though some have speculated on the nature of his homosexual equivalent: a tweet I saw a few […]

Korea Blog: Kwon Yeo-sun’s Korean-millennial murder mystery Lemon

A murder mystery can end either resolved or unresolved. Most writers opt for the former, if only out of habit or crowd-pleasing instinct, though some habitually leave ends just loose enough to lead to a sequel. In the absence of any resolution, a novel’s very status as a murder mystery comes into doubt. It tends […]

Korea Blog: The Pleasures of Watching Korean Television from the 1980s, Before K-Drama Went Global

I belong to the rapidly shrinking group of pop-culture laggards who haven’t seen Netflix’s hit new Korean drama Squid Game (오징어 게임). That’s counting people not just in Korea but all across the world. My latest glimpse of someone engrossed in the series’ (so I gather) trenchant social commentary and startling violence came on a […]

Korea Blog: Routledge’s New Handbook of Contemporary South Korea

I began living in and writing about Korea, an endeavor in which I’ve now been engaged for years, with practically no academic preparation. After graduating university, I audited a few lectures on Korean popular culture, then tried to take community-college Korean 101, which ended up cancelled for lack of enrollment. Later, after moving to Los […]

Korea Blog: the Korean literary crime wave, part three

Watching a lecture from Sebashi, the Korean equivalent of TED Talks, I heard the speaker mention a previous speaking engagement he’d had in an unusual venue: a women’s prison. Most all of the inmates, he said, had been locked up for financial malfeasance of one kind or another. This mildly surprised me, despite the well-documented lack […]

Korea Blog: the Korean literary crime wave, part two

Whatever its country of origin, crime fiction prizes murderers. Even more suited to the demands of the genre are serial killers, murderers who — according to most of the definitions available — kill three or more people on two or more separate occasions. Though the protagonists of both Jeong You-jeong’s The Good Son and Kim Un-su’s The Plotters do meet […]

Korea Blog: the Korean literary crime wave, part one

Americans in general don’t emigrate at particularly high rates, but some Americans in particular are given to declaring, in moments of frustration, their imminent move to another country. Often that country is Canada, possibly because of the vague impressions it inspires of a more humane and orderly civilization (and more probably due to linguistic and […]

Korea Blog: the Uncommonly Speculative Fiction of Kim Bo Young’s On the Origin of Species

“Speculative fiction” is in some quarters used as little more than a euphemistic label for science fiction, by readers hoping to preempt association with a stigmatized genre. But interpreted literally, the term covers a vast imaginative field encompassing horror stories, fantasy sagas, alternate history, and much else besides. Many writers specialize in one or two […]

Korea Blog: the Techno-Mythological Imagination of Kim Bo-young’s I’m Waiting for You

South Korea has one of the first populations who can claim to have collectively traveled through time. In a trivial sense, of course, we all travel through time, forward at a rate of one hour per hour, one day per day, one year per year. But this country, as no introduction fails to mention, underwent […]

Korea Blog: K-Pop Evolution Traces the Origins of Korea’s Prime Cultural Export

Certain Western observers of Korea wear their aversion to K-pop, or at least their pointed disinterest in it, as a badge of honor. From them I’ve heard the rise of K-pop credited with destroying Korean culture, or — somewhat more positively — with turning the Korean mainstream bland enough to give rise to a counterculture […]