Book-length first-person narratives by Westerners in Korea have so far come in two waves: one in the 1890s, and another in the 1980s. Or perhaps, given that they produced only a handful of works each, long-form first-person narratives by Westerners in Korea have had more like two splashes. But though few in number, these books have held up through the decades: here on the Korea blog, I’ve already written about Percival Lowell’s Chosön, the Land of the Morning Calm: A Sketch of Korea and Isabella Bird Bishop’s Korea and Her Neighbors, both published in the 1980s, both earnest, witty, and by modern standards massively detailed attempts to replicate in text the life and landscape of an obscure and frustrating but ultimately endearing country few of their readers could imagine, let alone visit for themselves.
The second wave, or splash, of Korea books happened in the run-up to the 1988 Summer Olympics in Seoul, an event now regarded as the reconstructed South Korea’s debut on the world stage. Simon Winchester, the writer of popular history and a traveler of British Empire vigor, took the whole country on foot and published his experiences in 1988 as Korea, a Walk Through the Land of Miracles. The journalist Michael Shapiro spent a year here around that same time, chronicling the country’s transition from military dictatorship to democracy in 1990’s lesser-known The Shadow in the Sun: A Korean Year of Love and Sorrow, which interspersed his high-level political observations with everyday ones about life in the country he briefly called home.
That same year, another American Michael, the poet and playwright Michael Stephens (also professionally known as Michael Gregory or M.G. Stephens) came out with Lost in Seoul and Other Discoveries on the Korean Peninsula. An inversion of Shapiro’s proportion of the political and the personal, the book draws on the New York-born, New York-raised, New York-based Stephens’ marriage to a Korean woman, and five or six of the visits they made, young daughter in tow, back to her homeland in the 70s and 80s. Its fourteen essays, all framed by his interactions with the pseudonymous family Han and their culture, find ways deal with Korea’s history, language, and politics, but also its variety of cultures: commercial, military, shamanistic, drinking.
Read the whole thing at the Los Angeles Review of Books.