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Notebook on Cities and Culture’s Korea Tour: ¿Por Qué Corea? with Sofía Ferrero Cárrega

sofia ferrero carregaNotebook on Cities and Culture‘s Korea Tour is brought to you by Daniel Murphy, David Hayes, and The Polar Intertia Journal, an outlet for artists and researchers documenting the urban condition.

At a coffee house somewhere in Busan, Colin talks with Sofía Ferrero Cárrega, film critic and enthusiast of Korean cinema. They discuss whether she’d recommend other movie-lovers move to Busan; how the Busan International Film Festival attracted her to the city (and the importance of its parties); why, in Busan, “everybody says yes”; the state of Korean film criticism in Spanish; how she first encountered Korean cinema, and how its auteurs got her to know Korea; the bad first impression Korean culture can sometimes give on film; what happens when you mention kimchi in Argentina; why her move to Korea became inevitable; her experience of understanding nothing in Korea even after having studied the language for years before arriving; what makes the dialogue in Hong Sangsoo movies easier to understand than the dialogue in other movies (and why Korea struck her as a real-life Hong Sangsoo movie when she arrived); whether she feels a kinship with Isabelle Huppert’s character in In Another Country; the shock of finding out that, in Korea, she’s white; the understanding she gets by standing outside society, and the “healthy jealousy” she feels for those inside; the difference between Korean conception of history and the Argentine conception of history; how Korea’s heavily advertised matchmaking services speak to the cultural importance of marriage; why to learn about a culture from its independent films, not his mainstream one; how Korean social life “flows” from one place to the next; the role of the Seoul International Women’s Film Festival; what happened in the world of Korean film festivals in the wake of the Sewol disaster, and how all the elements aligned to match the national mood; what it felt like to live in a silent Korea; the strong identification within Korean generations; her critical interest in connecting Korean film to the conditions in Korean society; why she waited on reading about Korea until she’d lived here a while, then picked up Michael Breen‘s The Koreans; the difficulty of explaining Korean food and drink to friends and family back in Argentina; the Korean penchant for “crowded” food and “crowded” web sites; how the culture has turned her “no”s into “ne”s; and what hour she (as well as the Argentine ambassador) woke up to watch the World Cup.

Download the interview here as an MP3 or on iTunes.