I appear on the latest episode of Pretty Much Pop, a podcast curated by Open Culture, to discuss the films of Martin Scorsese. Though prompted by the release last year of Scorsese’s latest feature The Irishman, preparation for the discussion convinced me to launch into a complete re-watch of Scorsese’s filmography. Here’s the official episode description:
We consider the highly lauded 2019 film The Irishman in the context of Scorsese’s body of work and the styles and themes that his films tend to exhibit. Writer/podcaster Colin Marshall joins Mark, Erica, and Brian to talk about what we do and don’t connect with in Scorsese’s work and how these films qualify as “art films” despite their watchability, not to mention the big budgets and stars. We cover CGI age alteration, the connection to The Joker, his comments about the Marvel franchise vs. him being a franchise unto himself, his use of music, and making films as an old guy. We hit particularly on Raging Bull, Taxi Driver, Bringing out the Dead, The King of Comedy, Goodfellas, Gangs of New York, The Departed, Casino, Silence, and Cape Fear.
You can also follow my Scorsese filmography Twitter thread (still a work in progress) here.