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Category Archives: film

Korea Blog: Korean Cinema Looks Back at 1987, When Students Died and Democracy Was Born

At least once a week I walk by something called the Lee Han-yeol Memorial. Though located in a nondescript building down a side street full of them, it catches my eye every time, and at first got me me wondering, no doubt by design, who Lee Han-yeol was. Not that his dates, 1966-1987, didn’t already […]

KCET: Thom Andersen’s Collected Essays Map Los Angeles’ Relationship to Film

“This is the city: Los Angeles, California,” begins the narration of Thom Andersen’s “Los Angeles Plays Itself.” “They make movies here. I live here.” When I first heard those words, spoken over an assembly of black-and-white shots of freeways, studio lots and theater marquees from Los Angeles movies of the 1940s and 50s, I, too, […]

Korea Blog: Korea’s New Comfort-Woman Comedy “I Can Speak”

Over the past few months, a publicity blitz of the caliber usually reserved for Hollywood superhero spectacles has urged Koreans to see a I Can Speak (아이 캔 스피크), a movie about a straight-laced young civil servant who reluctantly gives English lessons to an old battleaxe. Or at least that’s how it looked at first: as more […]

Korea Blog: “Detroit”‘s American Riot and “A Taxi Driver”‘s Korean Massacre

Earlier this month, Kathryn Bigelow’s Detroit opened in theaters across America, dramatizing an increasingly oft-referenced eruption of violence in relatively recent American history. At just about the same time, Jang Hoon’s A Taxi Driver (택시운전사) opened in theaters across South Korea, dramatizing an increasingly oft-referenced eruption of violence in relatively recent Korean history. The tagline of the American film’s […]

This week’s city reading: This Year’s Best Design Cities, When Airbnb Overtakes Your Building, the Lonely Los Angeles of “Heat”

The World’s Best Design Cities 2017 (Metropolis) “The crowds coursing down Via Tortona or gathering outside Bar Basso for one week in April are no more than a memory when the city is deserted in August. For years, it was also a city of extreme traditionalism: The Salone del Mobile’s gravitational pull on innovative international designers seemed […]

Korea Blog: How Netflix’s Groundbreaking “Okja” Shows What Translates and What Doesn’t

On the day we caught Okja, the latest, Netflix-produced film by superstar Korean director Bong Joon-ho, my girlfriend and I went to a tonkatsu place we’d been meaning to return to — deliberately eating before the screening, not after. Everything we knew about the movie, posters for which went up in our neighborhood in Seoul […]

KCET Movies: How Los Angeles Made Johnny Cash — After Nearly Destroying Him

Johnny Cash, the iconic outlaw of country and western music, may have come straight out of Arkansas, and he may have launched his career in Memphis, but in his story, unlike those of many other legends in his musical tradition, the Golden State also plays a major role. Even his casual fans understand that, many […]

Korea Blog: “Western Avenue”, Korean Cinema’s Response to the Los Angeles Riots

The Korean name of the 1992 Los Angeles riots, sa-i-gu (사이구), means “four, two, nine” — or rather 4/29, the first of the six days they tore through streets after the the Rodney King verdict came out. Given Los Angeles’ large Korean population, the highest of any city outside the Korean Peninsula itself, and the […]

Korea Blog: The March of Fools, a College Comedy Darkened by Dictatorship

Mixers, sports matches, drinking contests, brushes with the law, anxiety about the future — Western audiences have come to expect all these elements from college comedies over the past half-century, and they’ll recognize them all in The March of Fools (바보들의 행진), a movie that belongs to essentially the same tradition. But it renders its college-comedy […]

KCET Movies: Alfred Hitchcock’s (Non-Existent) Los Angeles

The defining quality of Alfred Hitchcock’s Los Angeles is that he didn’t have one. Or rather, he had a Los Angeles in his life, but not in his work. By the time he passed away in his Bel-Air home in 1980, the Leytonstone-born director’s filmography had grown to include more than 50 features across a […]