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Notebook on Cities and Culture S1E14: Fathers Chosen and Unchosen with Pico Iyer

Colin Marshall sits down in downtown Los Angeles with Pico Iyer, writer about place — both our dreams of it and its realities. They discuss his new book The Man Within My Head; how best to introduce Graham Greene’s The Quiet American to new readers; how he started a book on being a pleasantly bewildered foreigner in Japan and finished a book about Greene, brush fires, and his own father; the roles of fathers both chosen and unchosen; the ultimate unknowability of other people, and the form of intimacy found in accepting that not-knowing; graduating from school into a British Empire twenty years dead; his Fowlerian perspective to Los Angeles’ Pyle; England under the burden of too much past, California under the burden of too little, and his inoculation against the excesses of both by having oscillated between them; his return to England in the form of Japan; how Los Angeles anthologizes the world within itself versus how Japan does, and how Los Angeles handles its multiculturalism versus how Toronto does; his distrust of words, and Greene’s distrust of everything but words; his father’s interaction with the children of the 1960s’ Californian counterculture, and Hunter S. Thompson chronicling the collapse of that culture while seeing idealism without ideology; living friends as traveling companions versus dead authors as traveling companions; and Greene as, at once, his predictor, reflector, guide, understander, and anticipator.

Download the interview from Notebook on Cities and Culture’s feed here or on iTunes here.

(Photo: Derek Shapton)

Podthoughts: Travel with Rick Steves

Vital stats:
Format: a travel guide talks to travelers and tourists
Episode duration: exactly 53:30
Frequency: weekly

Growing up in Seattle, I thought of Rick Steves as a guru for locals aspiring to European travel just as I thought of Dan Savage as a guru for locals suffering sexual complications. But even though both men initially became famous in western Washington state and continue to reside there under auras of regional heroism, they’ve eluded the attentions of that cruelest mistress, “Seattle fame.” Unlike the work of, say, Ted Narcotic, Savage and Steves’ writing has spread across pretty much the entire Anglophone world. Both have reached even wider audiences still by launching first radio shows, then podcasts. I wager that most Max Funsters already know about Savage Love (reviewed by my esteemed predecessor Ian Brill here), but stand to benefit by learning about Travel with Rick Steves [RSS] [iTunes].

Just as Savage’s sex-advice column, reliably printed each and every week in Seattle’s “cooler” weekly paper, quickly became a fixture of my adolescence, Steves’ television program Rick Steves’ Europe felt ever-present. Yet I never really sat down and watched it, since I got from some of Steves’ fans the vague impression of a certain detached, cheapskate Europhilia, the kind that obligates Joe and Jane Washingtonian to go somewhere rustic in Italy or France, marvel photographically at boulevards and cathedrals, fumble through a phrasebook, and after two weeks return essentially unchanged to Microsoft or Boeing or wherever. This impression sounds uncharitable, I realize, but surely you understand the essential distinction of in-depth travel versus perfunctory tourism. While Steves is not to blame for the attitudes of his less intellectually engaged followers, I do faintly recall seeing him, in one of his shows, provide tips on how the busy traveler can best wash his underwear in the sink. This still horrifies me.

Read the whole thing at maximumfun.org.

A Colin Classic: Trav’lin man

[NOTE: Since this post, a popular one (by my standards, anyway) I wrote in 2008, has relevance to this week’s Podthought, I figured I’d re-post it. You can still find it in its original context in my old blogs but, ehh, why bother with links. My attitude toward Travel People has grown more charitable in the past three years, but only by twenty percent or so.]

Today I went down to my friendly local passport office to apply for — you guessed it — a passport. Surely, you must think, I only needed a replacement after casually tossing my latest ragged booklet, its countless stamps blurred by exotic moisture, onto the pile of previous filled ones. That’s not exactly the case; I wasn’t so much world-wearily checking the “renewal” box for the umpteenth time as, well, checking the “new” one. Perhaps you think this reveals that I have been lying about my age and am actually seven years old, essentially fresh out of the womb and raring to take on the planet. Or perhaps I’ve been lying about my nationality and, as a newly naturalized U.S. citizen, am proudly acquiring the passport of my free, democratic adopted homeland. But no, I’m an honest guy — an honest, American-born, nearly twenty-four-year-old guy. Coming up on the quarter-century mark. Applying for his first passport.

One question, needless to say, haunted me throughout the process: how did it come to this?

Was I born without arms or legs, rendered unable to travel by my condition until the recent development of adequate bionic prostheses? Did I commit a childhood crime so henious as to warrant lockdown lasting through early adulthood? Am I some kind of backwoods rube who opens beer cans with his few remaining teeth while cursing furniers and immygints alike? The answer to all these questions is, of course, yes. But that still doesn’t let me off the hook.

Don’t get me wrong; I’m glad I’m not getting my first passport at thirty-four or fourty-four, but that’s a little like saying that I’m glad I didn’t put off toilet training until adolescence: technically true, but nonetheless a sad admission. How have I avoided it? I don’t recall turning down opportunities to go abroad. (I remember a handful of proposed and quickly aborted trips to Italy growing up, but none of that was my call. I was quite relieved, later, to hear Adam Carolla’s description of the country: “It’s like someone got Mexico out of bed and sent it to Cal State Northridge.” Then again, I don’t know what Mexico is like.) I’d mention that I don’t come from poverty, but those I know who have poor backgrounds do the most globetrotting. Across nationalities and SES categories, my friends all — and I do mean all — have stories about Bulgaria, Japan, Italy, the Philippines, France, Kenya, Finland, Chile, Morocco, Belgium, China, Great Britain, Singapore and other, lesser-known countries that it’s too demoralizing even to name. I have stories of precisely dick.

It’s not like I’m one of those people you hear about who’s never left his birthplace, though; I’ve moved all around. From, uh, northern California. To Washington. Then back down to southern California. (Yes, I’m bi-Calual — it’s not true what they say about bi-Caluality just being a pit stop on the way to homo-Caluality.) And I’ve taken some jaunts. Up north, for instance, to Oregon. Been up and down this here west coast, yessiree. There were a few jaunts to Idaho, Montana and Florida in there as well.

None of this is to say that I’m ungrateful for the limited forays I have taken into the outside world. Some of my favorite memories come from these trips, especially one weekend spent kayaking by Vancouver Island. And, yes, I’ve been to Canada several times, so technically mine feet hath trod foreign soil, but when people ask me where I’ve been, replying with the limp, solitary word “Canada” actually feels more pathetic than remaining silent. Whichever my response, interlocutors are surprised in much the same manner as when I reveal my low GPA. They look at me with one of those are-you-sure? stares, as if I might have absent-mindedly forgotten a semester or two in New Zealand. (Which, but for that aforementioned GPA, I might’ve taken.)

Thus it is with a heavy heart that I report the destination that shotgunned me to the U.S. State Department’s altar: Canada. I’m going to Vancouver to visit the expatriate Livejournalist formerly known as [info]cobalt999, [info]cool_moose, the wisest man on Livejournal and Facebook, and possibly [info]shofarot, who may or may not be based in the area but in any case reputedly appears like smoke, unpredictably materializing and dispersing when and where he sees fit. Also, something about a French MBA. I’m actually quite excited about the excursion and am looking forward to seeing the place (again) and the people (in [info]cobalt999‘s case, again), even though I won’t be venturing into any badly-needed uncharted territory.

But all that said, I blame myself. Ultimately, my own negligence put me in the pathetic position of applying for passport one at well beyond even the legal U.S. drinking age. What circumstances led me to make such bad choices? I can think of nine:

  • Laziness. As a kid, I couldn’t be bothered to engage in any effort that didn’t immediately result in comic books or video games. I’m not exactly condemning that mindset, though, because I don’t remember there being a whole lot of environmental cues indicating that there were other goals worth pursuing. Perhaps I just surrounded myself with a highly pursuit-unfriendly coterie. But as hard as I try, I can’t remember one hint that that leaving the continent might in any way repay the effort.
  • A false conception of travel. Also as a kid, I imagined that going on a trip meant either (a) decamping for two weeks to some sun-drenched “paradise” like Hawaii (I don’t like the sun or anything it nourishes), (b) staring at a series of post card-y landmarks and feigning engagement, (c) roughing it like some Rick Stevesite through narrow cobblestone streets in a pair of underpants you washed in the sink, desperately dodging swarms of filthy urchins, their dozens of tiny hands grabbing tirelessly for your dorky, inconvenient money belt or (d) a truly unpalatable cocktail of all three. Only relatively recently has it occurred to me that you can do whatever you want with your time abroad, like exploring cities and whatnot.

    (I really fixated on the urchin scenario, warned as I was about it so many times in the lead-ups to the various aforementioned Italian vaporcations. But I’d be lying if I said I didn’t find appealing my assumption that, if urchins could freely steal from you, you could freely beat up urchins. I fantasized about various urchin-exploding mechanisms: remotely detonated decoy wallets, for instance.)

  • Fear. Again, as a kid, I asked the following: What if I get lost? What if I can’t read distant street signs (because I sure as hell won’t wear glasses)? What if I have to wear dirty clothes? What if someone steals my Game Boy? What if someone breaks into the house while I’m away and steals my Genesis? What if nobody speaks English (because, surely, I’m totally unable to learn a foreign language)? What if somebody laughs at me when I either speak English or pathetically attempt to speak the local tongue? What if the house catches fire while I’m gone and my Genesis melts? What if it’s too hot? What if it’s too cold? What if my hair looks bad one day? What if I get tired from walking? What if someone can tell I’m fat?

    (I was not the most confident child.)

  • Outprioritization. As childhood ended and middle school began, my priorities narrowed down to (a) stop being fat and (b) hey, check out those girls. I accomplished (a) and then some, and regarding (b), I have entertained cosmic hypotheses that my extended lack of a passport is a vengeful YHWH’s payback for an abbreviated virginity. Can’t have everything.
  • No obvious reason. Going someplace “just to go” never held water with me. Still doesn’t. A hunch says my habitual non-traveling can be explained away in large part by my failure to come up with a reason to travel that didn’t ring flighty. I bet I’d have gone abroad in childhood if I had a convenient reason to do so — school assignment, comic book sale, video game tournament — but none occurred to me. To an extent, I still consider traveling for traveling’s sake a very “free spirit” (read: flake) thing to do, but I’m better at spinning half-baked yet convincing rationale these days. (A travel writing gig would be the ideal solution, I suppose.)
  • Europhiliaphobia. I won’t claim this has gone away; though I endorse gap years in principle, I still cringe in embarrassment for teenagers who take one to “backpack” through Europe and “find themselves”. As I approached eligibility for that sort of thing, I loathed the idea of inhabiting the stereotype. The sentiment worsened one do-nothing day in senior year history, when everyone in the class (except me) exchanged stories about how “they live better” in Europe. The qualities invoked were no great shakes: 35-hour work weeks, coffee shops, boulevards, that kind of rinky-dink stuff, but these kids were practically drooling over them. I vowed then and there never to become… that.
  • Distaste for manky accommodations and “budget” conveyance. I once thought I’d take a bullet before staying in a youth hostel or living out of a backpack, and I probably still would. The main change over time is that I’ve now got more money. Also, I watched too many Michael Palin travel programs as a kid and envisioned myself riding on the outside of a corrugated steel train in 115-degree weather sandwiched between a thousand Sudanese guys. But this sort of thing isn’t so much of a problem anymore, as my travel jones is almost exclusively for the developed world.
  • Travel People don’t have much to show for it. This was, and is, a huge one. A lot of friends who go abroad seem, in my observation, only to gain a short-term laconism and a penchant for staring into the distance. Some of them let the bumming-around attitude they’d adopted while away bleed into their real life, which gets insufferable real quick. In my junior year of high school, my history class had a student teacher who’d been criss-crossing the globe and admitted that, as a result, he’d “been poor pretty much [his] whole life.” One day he pulled up next to me at a gas station in his rusted-out pickup, took a glance at my high school car — which I liked, but which had a resale value of $900 — and said, “Wanna trade?”
  • Travel People are assholes. There, I said it. This is less a hard-science law than a social-science law: not true in every case, but solid enough to work with. It’s not as if all Travel People are openly supercilious about their advanced internationalism and trenchcoat lined with only the finest life-altering brushes with the Other, but it does come through in other ways. For instance, I have yet to converse at length with a Travel Person who does not marshal their travel experience to address issues to which it has absolutely no relevance. Start talking about macroeconomic policy, for instance, and a Travel Person might well whip out an anecdote about watching Senegalese kids drink water out of their cupped hands. And you’re like, zuh?

But what’s past is past. Fait accompli. In this and other areas of life, I’ve got some serious catching up to do. It doesn’t help, though, that the passport process is the most anachronistic-feeling thing I’ve ever been involved with. Maybe it’s second nature to you habitués, but is there not something really weird and archaic about having to acquire a physical, paper booklet before going to another country, and having to wait three weeks for the thing? Let alone having to present a birth certificate to acquire it. A birth certificate? Birth certificates shouldn’t be required for anything — they shouldn’t be required for birth! And don’t get me started on having to write out a paper check as payment. I mean, it’s 2008; politically as well as technologically, shouldn’t we be well beyond junk like this? At least possessing the damn thing rids me of another obstacle to foreign adventure: “But I’d have to get a passport!”

Notebook on Cities and Culture S1E13: The Trash Compactor of Reality with Scott Jacobson

Colin Marshall sits down in Atwater Village with comedy writer and music video director Scott Jacobson, who has written for programs like The Daily Show, Squidbillies, and Bob’s Burgers, and made videos for artists like Nick Lowe, Superchunk, and The National. They discuss the comedic style of George Herriman’s Krazy Kat and whether a place exists for it today; expectations, the enemy of comedy; what it means that the likes of Adult Swim and Tim & Eric can thrive in today’s world, or if they indeed thrive in it; The Daily Show‘s rise alongside George W. Bush’s, and the trickiness of presenting its voice as the voice of reason; the feeling of finally getting a foothold in New York, and the sense of personal failing that comes from not loving it; whether anyone else misses the obscure cruelty of Craig Kilborn’s Daily Show; the “journalistic vamp” and other news filler, up to and including Glenn Beck’s moment of popularity; the “trash compactor of reality” that is political coverage, and the solace offered by a Squidbillies or a Bob’s Burgers; his childhood love of the divisive Dr. Katz, Professional Therapist; the way critical opinion eventually came to elevate Carl Barks’ Scrooge McDuck Comics, and the joy of bringing something in “low art,” like Hospitality’s “Friends of Friends,” to the public’s attention; using ridiculous contexts to smuggle genuine content; New York’s manic energy that insistently pushes you forward; and the phenomenon of “really smart people doing really stupid things” that, championed by the David Lettermans and Conan O’Briens of the world, has risen to prominence in modern comedy.

Download the interview from Notebook on Cities and Culture’s feed here or on iTunes here.

Notebook on Cities and Culture S1E12: We Care About Everyone with William Flesch

Colin Marshall sits down in Westwood with William Flesch, professor at Brandeis University and author of Comeuppance: Costly Signaling, Altruistic Punishment, and Other Biological Components of Fiction. They discuss José Saramago’s way with obscure Biblical episodes; literary Darwinism and its discontents; why and how we get concerned with what happens to fictional characters at all; the difference between stories we care about versus stories we don’t; how we recommend books, films, and shows to friends, thus caring about how they care about how characters care about one another; Michael Haneke’s scary Funny Games viewed with an audience and Michael Haneke’s ludicrous Funny Games viewed at home; what’s so great about Wittgenstein; the trade-off between humanizing and monsterizing your villains, as with Hitler in Max and The Boys from Brazil; the perfect biological pitching of Onion‘s 9/11 headline “Hijackers Surprised To Find Selves In Hell”; what makes the 19th-century novels of George Eliot, Anthony Trollope, Charles Dickens, and William Makepeace Thackeray so gripping; our desire to feel we’ve misjudged characters; Buffy, Angel, and our bets about liking them; and characterization and reversion to type all the way from Shylock to Stewie Griffin.

Download the interview from Notebook on Cities and Culture’s feed here or on iTunes here.

Podthoughts: CB Radio

Vital stats:
Format comedian interviewing comedians (but in Austin!)
Episode duration: 12m-45m
Frequency: twice weekly

Cameron Buchholtz interviews comedians. This places him alongside several well-known podcasters, including public radio’s own Jesse Thorn (and public radio’s nearly nobody else). Cameron Buchholtz also does comedy, which places him alongside several well-known comedian-podcasters, including Marc Maron, Pete Holmes, Dave Hill, and Julie Klausner. He sets his own podcast apart in three ways, first and most obviously by giving it the delightfully punny name of CB Radio [iTunes]. (You’ll also notice its site’s sweet design.)

Second, he tends to record interviews in Austin, Texas, his city of residence. You might assume that this choice would limit him to marginal if nevertheless funny interviewees, but nope; for better or for worse, Buchholtz talks with a great many of the same comics that Los Angeles or (to a lesser extent) New York podcasters do. By catching them when their circuit — or, less often, a to-do like South by Southwest — rolls them by, he’s interviewed the likes of Jimmy Pardo [MP3], Doug Benson with Graham Ellwood [MP3], Paul F. Tompkins [MP3, Jackie Kashian [MP3, and even fellow comedian-interviewers like Pete Holmes [MP3]. I don’t need to tell you about these comics’ conversational skills; if you’ve listened to podcasts for any time at all, you already know. Holmes, in fact, somehow gets Buchholtz to publicly admit his schoolyard nickname: “Crammin’ Buttholes.” Once you hear it, you can’t unhear it.

Read the whole thing at maximumfun.org.

Notebook on Cities and Culture S1E11: How Serious Are You? with Megan Ganz

Colin Marshall sits down in Larchmont with comedy writer Megan Ganz, who’s written for the Onion and Important Things with Demetri Martin, and now writes for NBC’s Community. They talk about easing her transition from New York to Los Angeles with the Coen Brothers’ Barton Fink; Los Angeles as an unfurnished apartment to New York as a furnished one; her fond memories of aimless subway trips; what we don’t know about growing up in Michigan, especially regarding the preparation of vegetables and local pride in Tim Allen; the Onion as something to aspire to in adolescence; the best comedy’s tendency to happen naturally, without being in on its own jokes; what one would get wrong by assuming Community, the “show that can get away with anything,” represents a model of sitcoms today; her use of the voices of various characters and institutions rather than he own; the comedy gold to be mined from misalignments between tone and content; community college-going as a hobby; and the lingering question that hangs over certain people, places, and operations: “How serious are you?”

Download the interview from Notebook on Cities and Culture’s feed here or on iTunes here.

Podthoughts: Dave Hill’s Podcasting Incident


Vital stats:
Format: Dave Hill talking to comedians and other people he knows, bracketed by Dave Hill talking (or shredding)
Episode duration: 45m-2h
Frequency: one or two per month

I feel the time has nearly come to define a new genre of podcasting: comedians interviewing their friends and, if they seem entertaining enough, their acquaintances and friends-of-friends. Marc Maron’s Los Angeles-based WTF became a notable early example of this, though he’s found even more success by widening his mandate to include people he doesn’t much like or simply has a curiosity about. More recently, Pete Holmes gave the idea his own peculiar spin with You Made It Weird, and Julie Klausner’s How Was Your Week transplanted it into rich New York City soil. A couple years back, comedian Dave Hill launched a similar project from his own NYC base: Dave Hill’s Podcasting Incident [RSS] [iTunes].

Then again, “comedian” doesn’t quite cover it. The man also writes articles, contributes to This American Life, and plays guitar or bass in a bunch of current, former, and semi-fictional bands. He also maintains a faintly Wildean personal style, on display when he hit fashion week as a correspondent for Put This On. Hill, in other words, has made himself into a man of many skills. This would have gotten him all kinds of traction in, say, the eighteenth or nineteenth century, but in our debased modern era, this sort of thing seems to drain one’s notoriety rather than boost it. But I suspect this very range has allowed him to cultivate such a striking podcast guest list: accompanying the comedians like Tig Notaro [MP3] or Rob Delaney [MP3], we’ve got New Yorker writer Malcolm Gladwell [MP3], no-longer-uptight (so he claims) musician Moby [MP3], and charter Culture Club member Boy George [MP3]. See a mix of names like those, and you more or less have to download a few episodes, just to hear what could possibly be going on.

 

Read the whole thing at maximumfun.org.

Notebook on Cities and Culture S1E10: A Roomful of Strangers with Wade Major

Colin Marshall sits down in Santa Monica with Wade Major, senior film critic at Boxoffice, co-host of IGN’s Digigods, and regular participant on KPCC’s Filmweek. They discuss what Sucker Punch represents the coagulation of; whether it is a greater crime for Zack Snyder to make Zack Snyder movies sincerely, or for Zack Snyder to make Zack Snyder movies cynically; the importance of spontaneity, not formula, to creative business; the simultaneous democratization of criticism and of filmmaking itself; the world he emerged out of film school into; his father’s career in silent pictures; the philosophical differences between the film schools at USC, UCLA, and CalArts; the possibilities of a new business model for criticism meant to be read after seeing the movie; Pauline Kael’s conception of criticism as a means of keeping filmmakers honest; bigtime directors’ assumptions that they can’t make films about their real passions; The Artist as it taps into both filmmakers’ and critics’ fears of getting left behind; how without taste, you’ve lost; feeding off the energy of a roomful of strangers in actual theatrical screenings, and learning something about yourself at the same time; the “dysfunctional family” that is the Los Angeles Film Critics Association; the critic’s mandate to move film into a larger cultural context; and the director’s mandate to get out into the world and live before ever shooting a frame.

Download the interview from Notebook on Cities and Culture’s feed here or on iTunes here.

(Photo: Kristi Lake)

Notebook on Cities and Culture S1E9: Suggested User with Alison Agosti

Colin Marshall sits down in Los Feliz with comedy writer, baseball reporter, and Twitter “suggested user” Alison Agosti. They discuss the preferred pronunciation of “Los Feliz”; Rancho Cucamonga’s chief industry of teenage pregnancy; how Los Angeles looked while she was growing up in the Inland Empire; the promise of New York as a land of letters, art, and coats; her mass childhood purchase of used Woody Allen tapes, including but not limited to Husbands and Wives; the morning she woke up to 1500 e-mails from Twitter in her inbox; her realization that comedy writing could count as a job; what it takes to get on a Maude team; her struggle to coming up with new ways to write “hit the ball” or to present a narrative in a 2-1 game against the Diamondbacks; her music blog Headphones In; finding humor in the complicated, as unworkable as it can end up in a sketch; raking in the Twitter stars by mentioning eating something weird by yourself; her weariness of apologizing for Los Angeles, a city that doesn’t work against you except when you can’t find parking; Venice, either the “weirder” or “non-shitty” Santa Monica; how we only children who refuse to network or compete can explain ourselves to actual grown-ups; the appeal of the intelligent, loud, brilliant but unself-aware Woody Allen-type character; what she likes to satirize in herself; playing (but not beating) Ecco the Dolphin on the Sega Genesis; and “the woman-in comedy thing,” which turns out not to be a thing at all.

Download the interview from Notebook on Cities and Culture’s feed here or on iTunes here.

(Photo: Philip Eierund)